Calvin Rocchio is a pile / a sedimentary rock / a daffodil / a salmon on the shore in Northern California.

My practice, through what's accumulated practicing openly and perpetually, amounts to an ecological ontology––a way of being in the world that’s pliable / wavy / soft / permiable. With optimism and enthusiasm––through publishing, distribution, graphic design, image making, research, organization, rearticulation, and movement––spaces are cultivated for new relations to the environments that we inhabit and exist as parts of. These spaces, often fertilized and enriched through collaboration and exchanges that ignore the specificities of discipline, celebrate entanglement and vulnerability to momentums outside of any single perspective, human or non-human. Just the way the mind casts a wide net, or how books can point in a multitude of directions at once, the effort dissipates in being unavoidably entangled in the world.


Current Bibliography
Paul Kingsnorth, Confessions of a Recovering Environmentalist, (Faber & Faber Limited, London, 2017)
Jakob von Uexküll, A Foray into the Worlds of Animals and Humans: with A Theory of Meaning, (University of Minnesota Press, 2010)
Timothy Morton, Realist Magic: Objects, Ontology, Causality(Open Humanities Press, 2013)
Tide Curtain, on view at the Pensacola Museum of Art as a part of the show "Crossing Boundaries: Art and the Future of Energy.11.3.17-1.14.18
[Working on] An Ecological Thought..., a dispersed print residency with a group of brilliant collaborators that will be published in February 2018. 
[Working on] a redesigned, facsimile reprint of PULSE no.3, a periodical edited by Norman Moser, originally published in the summer of 1970. 




soft soft
no  real edges.

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